Visitors flock to My Son: discovering Cham brocade art!

Visitors flock to My Son: discovering Cham brocade art!

Anyone interested in Vietnam's rich cultural traditions should definitely visit My Son. This important archaeological site, declared a World Heritage Site by UNESCO in 1999, opens the gates to a fascinating world of Cham culture. Located in Quang Nam District, about 70 km southwest of Da Nang, the temple complex is surrounded by forested hills and picturesque river landscapes. This not only creates an impressive atmosphere, but also reflects the harmonious combination of culture and nature that characterizes the Cham culture. The temples of My Son, which are divided into different eras, tell of a seafaring culture that existed from around the 2nd to the 17th century and maintained important trading relationships.

In My Son, the different temple groups can be found from A to K, each with different architectural features. Group A in particular is highlighted as a central sanctuary. Unfortunately, many of the temples were severely damaged during the Vietnam War, making efforts to preserve this historic site even more important. Nguyen Cong Khiet, the director of the My Son Cultural Heritage Management Board, emphasizes the importance of preserving both physical architecture and intangible cultural values.

Preserving Cham traditions together

Visitors have the opportunity not only to marvel at the impressive ruins, but also to experience the vibrant craftsmanship of the Cham people. In the My Son Museum, which has only been open since February 2025, there is a special experience room for traditional Cham brocade weaving. Here, talented brocade weavers like Ngu Thi Thuong Uyen make scarves, tablecloths and other souvenirs. The tourists' enthusiasm for the traditional weaving techniques is palpable, and the diverse patterns of Cham brocade have developed into over 30 variants - from plant to animal to object-related designs.

The importance of this art lies not only in the aesthetics; Cultural, social and religious aspects are also anchored in the patterns. The craft helps to preserve the traditional Cham culture and pass it on to the next generations. Ms. Quan Thi Thu Loi emphasizes the importance of passing on the knowledge of these unique techniques to young people and students. This is how the identity of the Cham people is kept alive - and this is particularly valuable in times when traditional craftsmanship is under threat.

Art and craft in harmony

But the focus is not only on the art of weaving. The Cham people are also known for their impressive pottery, which was added to the Intangible Cultural Heritage List in 2022. The pottery, made by women with great dedication and creativity, ranges from simple household items to elaborate objects and religious pieces. What's special: The pottery is made without a turntable, which allows the women to express their creativity in their own unique way. The materials used are collected directly from the surrounding area, which further contributes to the authenticity of the products.

However, this art form is also at risk - triggered by urbanization and a declining interest among the younger generation. These challenges are particularly concerning because crafts not only help improve family incomes, but also represent a crucial part of Cham cultural identity.

Overall, My Son offers a deep insight not only into the history and architecture of the Cham culture, but also into the living traditions that remain rooted in the hearts of the Vietnamese people. A visit to this fascinating region is therefore a must for anyone who appreciates history, art and culture.

For more information about My Son and the Cham culture, visit Vietnam.vn, Peter Yurgilevich and UNESCO.