Visitor flows to My Son: Discovery of Cham brocade art!

Visitor flows to My Son: Discovery of Cham brocade art!

If you are interested in the rich cultural traditions of Vietnam, you should definitely visit My Son. This important archaeological site, which was appointed World Heritage Site in 1999, opens the gates into a fascinating world of cham culture. Located in the Quang Nam district, about 70 km southwest of Da Nang, the temple complex is surrounded by forested hills and picturesque river landscapes. This not only creates an impressive atmosphere, but also reflects the harmonious connection between culture and nature, which characterizes the cham culture. The temple of My Son, which are divided into different epochs, tell of a seafaring culture that existed from about the 2nd to the 17th century and maintained significant trade relationships.

in My Son can be found by the different temple groups from A to K, each of which have different architectural features. Group A in particular is highlighted as a central sanctuary. Unfortunately, many of the temples during the Vietnam War were badly damaged, which makes the efforts to preserve this historical site all the more important. Nguyen Cong Khiet, the director of the My Son Cultural Heritage Management Board, emphasizes the importance of preservation of both physical architecture and intangible cultural values.

traditions of the cham together

Visitors have the opportunity not only to marvel at the impressive ruins, but also to experience the living craftsmanship of the Cham. In the My Son Museum, which has only been opened since February 2025, there is a special room for traditional Cham brocade weaving. Here talented brocade weavers such as NGU Thi Thuong Uyen create scarves, tablecloths and other souvenirs. The enthusiasm of tourists for the traditional weaving techniques can be felt, and the diverse patterns of the Cham brocade have developed in over 30 variants-from vegetable to animal to object-related designs.

The meaning of this art is not only in the aesthetics; Cultural, social and religious aspects are also anchored in the patterns. The craft contributes to preserving the traditional cham culture and passing it on to the next generations. Ms. Quan Thi Thu Loi emphasizes how important it is to pass on the knowledge of these unique techniques to young people and students. The identity of the cham people is kept alive-and this is particularly valuable in times when traditional craftsmanship is threatened.

art and craft in harmony

But the focus is not just on weaving art. The Cham are also known for their impressive pottery, which was placed on the list of intangible cultural heritage in 2022. The pottery, which are made by women with a lot of dedication and creativity, range from simple household items to artistic objects and religious pieces. The special thing: the pottery takes place without a turntable, which enables women to live out their creativity in their own way. The materials used are collected directly from the surrounding area, which contributes to the authenticity of the products.

, however, this art form is also endangered - triggered by urbanization and a declining interest in the younger generation. These challenges are particularly worrying, since the craft not only contributes to improving family income, but also a decisive part of the cultural identity of the Cham.

Overall, My Son not only offers a deep insight into the history and architecture of Cham culture, but also in the living traditions that are still rooted in the heart of the Vietnamese. A visit to this fascinating region is therefore a must for everyone who appreciates history, art and culture.

Further information about my son and the cham culture can be found at vietnam.vn , Peter Jurgilewitsch and UNESCO .